Lighting design for'Korean Mother Church'
·Location: 79, Saemunan-ro, Jongno-gu, Seoul, Korea.
·Owner : Saemoonan Church.
·Interior design : Kukbo Design.
·Lighting Design : Mavericks (Representative : Hae-yoon Lee, Director : Yong-wook Jeong, ··Manager : Hyun-jun Kim, Assistant Manager : Su-ji Yoo, Employee : Su-min Lee).
◆ Overview of the Project
built as a container for the souls of the saints, clean and solemn, but in a loving image
that embraces people.
because the direction that the Korean church has been aiming for has wanted to stand
solemnly and loftily in the position of the saints who has passed away.
completed in March 2019, is a step back from the stereotype of this Korean church.
Instead, it shows the saints's desire to greet and hug all people from all over the world.
1916), the first Korean church to be founded on September 27, 1886.
since its founding, as a church that is deeply rooted in faith, a spirit of mission, a
pioneering role in church unity, and a nation responsible for the development of
construction period of about 3 years and 6 months since construction started in 2015. It
was completed with 5 stories underground and 13 stories above ground. The height of
the building is about 68m, and the total area is 8,962 pyeong. The main hall has a seating capacity of 2,840.
Saemoonan Church for a period of nearly 10 years with the Seoinn Design Group
(CEO : Dong-Gyu Choi).
Architecture Master Award(AMP)’ in the architectural design field.
international design projects in Los Angeles, USA. The award announces award-winning
architectural projects from around the world every year.
◆ Lighting Design Concept
chapel. The grand chapel located on the 4th to 7th floors was designed with high wattage LED downlights because of the wide and high ceiling, and the indirect lighting was placed on the overlapping ceiling to emphasize the flow of the layers.
through the shadow.
and the beam angle and wattage of the lighting fixture were considered.
reflected to maximize the glossy texture of the metal. In the event of the event, the stage and the target space of the river were controlled through the intense stage lighting, and
the relative brightness of the light was adjusted and the hierarchy of light was given.
basement to the second basement makes the shape of the cross appear subdued by
indirect lighting unlike the large chapel. Also, during the event, the copper wire used as
the Virgin Road showed light that led the way to the cross through the upper indirect and moving lights.
utilizing the patterns and textures of these finishes as much as possible, it made users feel psychologically godly and stable.
different light environments and spaces.
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